Zeynep Yılmaz’s gaze focuses on the potential of everyday things to take on leading roles. As a writer they relate to writing together with the auditory, contextual, and semantic layers to language. In approaching text as act - a tool to process that which already exists, they present it with possible interventions that come through the act. Movement therefore foregrounds the narrative and the imagery that emerge along the path traversed in motion across time, which is why performing the text in turn makes a lot of sense for them. Exploring to dismantle hierarchies and regroup thoughts across different contexts, their work is concerned with an attempt to deal with both the fascination and the weight of growing up. The intersection of auto fiction, irony, and unguarded realism feels like a good temperature so they try to roam around the fields of thinning the boundaries between the performative and the ordinary. Zeynep Yılmaz transforms their process into texts, performances, publications, site-specific installations, sound and video works. There is currently an ongoing curiosity towards sculptural formations as props and repetition as a fertile concept for alternate meaning-making. They live and work in İstanbul.

Zeynep Yılmaz’ın bakışı, gündelik olanın başrol üstlenme potansiyeline odaklanır. Bir yazar olarak, yazıyla dilin işitsel, bağlamsal ve anlamsal katmanlarıyla birlikte ilişki kurar. Metne bir eylem — hâlihazırda var olanı işlemek için bir araç — olarak yaklaşırken, eylem aracılığıyla ortaya çıkan olası müdahalelerle birlikte metni sunar. Böylelikle hareket, zamanın içinde kat edilen yol üzerinde ortaya çıkan anlatı ve imgeleri de görünür kılar. Bir döngüyü tamamlarmışçasına yazılı dili performe etmek de bu sebepten ötürü önemli gelir. Hiyerarşileri söküp kurarak ve düşünceleri farklı bağlamlar arasında yeniden bir araya getirerek, çalışmaları büyümenin hem büyüleyici hem de ağır yanlarıyla baş etme etrafında şekillenir. Otokurgu, ironi ve savunmasız bir gerçekçiliğin kesişimi doğru bir yer gibi hissettirdiğinden, performatif olan ile sıradan olan arasındaki sınırları incelten alanlarda dolaşmayı dener. Zeynep Yılmaz, üretim sürecini metinlere, performanslara, yayınlara, mekana özgü yerleştirmelere, ses ve video işlerine dönüştürür. Hâlihazırda, sahne eşlikçileri olarak heykelsi oluşumlara ve alternatif anlam üretimi için verimli bir kavram olarak tekrara yönelik süregelen bir merakı bulunmaktadır. İstanbul’da yaşar ve çalışır.




zeeynepyilmazz@gmail.com
@zeeynepyilmaz
soundcloud
Vimeo
Substack








2024 8th term resident, SAHA Studio, İstanbul, TR

2019-2021 BA Leiden University Arts, Media and Society
& Minor in Gender and Sexuality Studies


solo

2024 COPYWRITER, 5533, İstanbul, TR
2024 durun anlatayım, 400x118, İstanbul, TR
2022 Decent writers don’t feed the narrative, Snacks Amsterdam, NL
2022 Devir-Teslim, De Perzen carpet store, The Hague, NL


group shows & performance programs

2025 Periodical Observations, SAHA x Artworks Greece, İMÇ, İstanbul, TR
2025 Listening Biennial, AVTO, İstanbul, TR
2025 Mountain as a Living Archive, PAKT Foundation, Amsterdam, NL
2025 Family Reimagined (Rotterdam x İstanbul: reimagining family year through art),
Saye Kolektif, İstanbul, TR
2025 Portiko Okumaları ve Performansları, Yapı Kredi Kültür Sanat, İstanbul, TR
2025 Network Nihilism: Soft Infrastructures, Pasaj @ Barın Han, İstanbul, TR
2025 The Echo Chamber, Deptford Town Hall, London, UK
2024 Urban Acoustic Speculations, arthereistanbul & Aberdeen University, İstanbul, TR
2023 Chills & Quills, Büyük Valide Han, İstanbul, TR
2023 inanınca göreceğim, Büyükada, İstanbul, TR
2023 aspace isa space is a space, Lab23 The Hague, NL
2023 Tip of The Tongue, Garage Gallery Prague, CZ
2022 Flipchart at Instrument Inventors, iii, The Hague, NL
2022 Filling the Void with The Spectrum Space, The Grey Space in the Middle, NL


publications & featured writings

2025 virgül / comma, Periodical Observations, curated by Nikolaos Akriditis, edited by Mina Gürsel Tabanlıoğlu, designed by Benjamin Rouzaud, printed with the support of SAHA Association and Artworks Greece, presented in İMÇ, İstanbul, TR
2025 veya tutkal, full-lenght poetry book, 1000 copies, designed and printed independently in collaboration with zaten stüdyo, İstanbul, TR 
2024 bir olay-oluşum için metin / text for a happening, self-published, 50 editions, with the support of and presented during SAHA Studio, İstanbul, TR
2024 Havuz problemi ve gramer hatası / A pool problem and a grammatical error, 212 Magazine, edited by Merve Arkunlar, İstanbul, TR & London, UK
2024 which meant, mnemotope 004 by bog bodies press, NL
2024 COPYWRITER, Gaipten Sesler hosted by Merve Ünsal, Apaçık Radyo, TR
2022 Digestion Fundraiser, Mushroom Radio, KABK, The Hague, NL
2022 Politiks Kills Poetry, in collaboration with Babi Badalov, commissioned by Les Conseils Superflus, 100 editions, designed and printed in Amsterdam, presented in Billytown, NL
2022 decent writers don’t feed the narrative, self-published, 15 editions, presented in Snacks Amsterdam, NL
2022 3 poems feature at Sunday Mornings at the River Summer Anthology, NL
2021 by now I know, longlisted and published in LS Poetry Contest Anthology, Leiden, NL


exhibition texts for

2023 bir an için gerisin geri / for a moment, re-turning back, Kairos Gallery, İstanbul, TR
2023 As long as I remember, as fast as I remember, as strong as I remember, West Den Haag, NL / Art Weekend Zurich, CH
2023 Plug’n Play, MUU Contemporary Art Center, Helsinki, FL
2022 Metallic Taste of Patience, Royal Academy of Art The Hague, NL
2021 UA006050455LV_ , KHiO White Box Gallery, Oslo, NO


press

unlimitedrag.com
artfulliving.com
ofluxo.net
saliva.live
artdogistanbul.com
plumemag.com
sanatokur.com
parool.nl
parsomenfanzin.com